From the 1990's to 2003 the author followed four marionette theatre companies in the Quanzhou area. Based on this unique fieldwork the author describes both the theatrical and social context of the marionette theatre. He shows it as a complex entity in which elements of religion, ritual, language, history and social structure all come together. The study includes an analysis of...(展开全部)

简介：【静澜文轩】蓦忽忆江月，沧海映轩澜（该书于2023年1月14日签约成功）你我皆是被操控的人偶。

In Praise of Theatre is Alain Badiou’s latest work on the ‘most complete of the arts,’ the theatrical stage. This book, certain to be of great interest to scholars and theatre practitioners alike, elaborates the theory of the theatre developed by Badiou in works such as Rhapsody for the Theatre and the ‘Theses on Theatre’ and enquires into the status of a theatre that would be ...(展开全部)

弗•伊•涅米罗维奇－丹钦科（1858—1943），生于格鲁吉亚奥祖尔盖蒂，苏联戏剧导演、剧作家、戏剧教育家、评论家。早年从事剧本和小说创作，1898年与斯坦尼斯拉夫斯基共同创建莫斯科艺术剧院，此后联合执导了契诃夫的《海鸥》《万尼亚舅舅》《三姊妹》《樱桃园》和高尔基的《底层》等名剧。1928年以后成为剧院的主要负责人，先后将托尔斯泰的小说《复活》《安娜•卡列尼娜》搬上舞台，并重排了《三姊妹》。1936年获“苏联人民艺术家”称号。 译者简介： 焦菊隐（1905—1975），生于天津，原名焦承志，戏剧导演、戏剧理论家、翻译家，北京人民艺术剧院的创建人之一。1928年毕业于燕京大学，1938年获巴黎大学文学博士学位。1952年被任命为北京人民艺术剧院第一副院长兼总导演，开创了北京人艺演剧学派。导演代表作有《龙须沟》《虎符》《茶馆》《关汉卿》《蔡文姬》等，译著...(展开全部)

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In Theatre , W. Somerset Maugham–the author of the classic novels Of Human Bondage and Up at the Villa –introduces us to Julia Lambert, a woman of breathtaking poise and talent whose looks have stood by her forty-six years. She is one of the greatest actresses England–so good, in fact, that perhaps she never stops acting. It seems that noting can ruffle her satin feathers...(展开全部)

In Theatre , W. Somerset Maugham–the author of the classic novels Of Human Bondage and Up at the Villa –introduces us to Julia Lambert, a woman of breathtaking poise and talent whose looks have stood by her forty-six years. She is one of the greatest actresses England–so good, in fact, that perhaps she never stops acting. It seems that noting can ruffle her satin feathers...(展开全部)

著有《圖書館戰爭》系列、《植物圖鑑》等作品的人氣作家有川浩， 在此為各位獻上青春熱血的溫馨舞台劇世界！ 「兩年間要賺回三百萬，不然就收團！」 旗子劇團面臨創團以來的最大危機！ 超級新星羽田千歲一入團，卻引發演員們的離團潮，同時，劇團還負債高達三百萬！ 愛哭鬼團長為了還債只好伸手向哥哥借錢，然而，討厭劇團的哥哥開出的條件竟是？ 擅長以溫暖細膩的筆法描繪人物的有川浩，此次將進軍舞台劇世界。 本作以舞台劇的世界為基礎，描述一群熱愛演戲但卻不善經營的劇團成員， 如何在背負三百萬債務下奮力成長的故事。明快詼諧的對話與高潮迭起的劇情， 讓人有如親臨現場欣賞舞台劇一般，現在，就請入座，欣賞有川浩與旗子劇團的精采之作吧！ ──有多少人在生命走到盡頭之前，曾經體驗過眾人一起驚喜、狂歡、哭泣？ 「守財奴有什麼不好！錢才是正義！」 「我也想前往她所在的世界──靠自己的才藝...(展开全部)

Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann's groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic t...(展开全部)

Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann's groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic t...(展开全部)